Above the Line. A budgetary term for
movies and TV. The line refers to money budgeted for creative talent, such as
actors, writers, directors, and producers.
Academic Theatre. Theatre connected
with school and having educational, rather than commercial, goals. The physical
plant may be anything from a classroom or outdoor platform to a full-size
proscenium arch theatre. The actors are usually drawn from theatre classes,
although there may be guest performances from community members or by a
professional artist-in-residence. The works produced may be well-known
standards of the commercial theatre or student-written works-in-progress.
Acetate Dub. An individually cut
record, as opposed to pressed records.
Acoustics. The science of sound as
applied to theaters, relating to how sound travels and reverberates.
Acting Bug. A term used to indicate
that someone of any age has been infected with a great desire to be an actor.
Acting Resume. Focuses exclusively
on acting and establishes your credibility as an actor by listing your acting
experience and training as well as promote you as an actor to agents and
casting directors.
Action. A director’s cue to begin
filming.
Actor Proof. A play or sketch that
is almost impervious to bad acting. Francis Swan’s Out of the Frying Pan,
a hit on Broadway in the 1940s and a staple of community and academic theatre
ever since, has such ingratiating characters, such a tightly constructed plot,
and so much fun and goodwill built into it that it can survive the most
amateurish production.
A.D. An assistant director, and
usually part of a hierarchy, whose duties will include helping to set up shots,
coordinating and writing call sheets, and directing and corralling extras.
ADR. Automatic digital recording, or
additional dialogue recording.
Administration. The supervision of
all financial, copyright and contractual aspects of either an entire catalog or
a particular song.
Advance. Money paid before the
recording or release of a song, to be deducted against future royalties of that
song.
AF of M. Abbreviation of American
Federation of Musicians.
Afterpiece. In eighteenth-century
London theatres, a short comedy performed after a five-act tragedy, providing
comic relief for the audience.
Agon. A debate. In the Prologue of
Greek Old Comedy, a "happy idea" was put forth, then the merits of
the idea were argued in the agon. In Aristophanes’ Lysistrata,
for example, the women decide to end war by going on a sex strike. In the agon, Lysistrata and the Magistrate debate the
issue. She prevails in the argument and he retreats.
Air. The Vamp, the Verse, if there
is one, and the Chorus (composed of "8s"), ending with the Rideout,
constitute the component parts of the printed sheet-music copy. But there is music
that exists between the sung lines ("fills") that can be described as
the "Air" in the song. If "Air" is recognized as
"music without words," the Vamp and Rideout, too, must be listed as
"Air" pockets.
Airbrushing. A photographic process
whereby certain flaws in a picture are gently blown off of a master print.
Air Checks. A recording made of a
televised show on 3/4" tape to be used for demo reels.
American College Theatre Festival.
An annual competition of college and university productions that begins in
local areas and advances to state, regional, and national festivals. Sponsored
by the American Theatre Association, the festival names the best production of
the year and gives awards for acting, writing, and designing.
Amphitheatre. Originally the Colosseum
in Rome, now any large, oval-shaped building with no roof and tiers of
spectator seats. The Colosseum was used for gladiator contests, not plays, but
subsequent buildings of such shape have been designed and used as theatres with
arena staging.
Anachronism. In the course of a
stage production, a person or thing that is out of place chronologically.
Angel. The financial backer of a
play.
Annc. An abbreviation for announcer.
Often used by copy writers.
Anti-timing. A failing of some
actors who seem to be too slow or too fast in responding to action or dialogue
onstage.
Apple Boxes. Wooden crates that
elevate either an actor, a cameo or furniture on a set.
A&R Director. Artists and
repertoire; record company staffer or liaison in charge of selecting new
artists, songs and masters.
Aristotle’s Six Elements of Drama.
Also called the Six Elements of Tragedy. In his Poetico,
Aristotle defines and discusses the six elements that make up the tragedy. Many
critics have extended his definition to describe all types of plays.
Arrangement. The adaptation of a
composition for performance by other instruments and voices than originally
intended.
Arranger. One who adapts a musical
work to particular instruments or voices.
Artist. As regards the music
industry, an individual or group under recording contract.
Artists’ Colonies/Residencies. These habitats offer the originating artist (composer,
writer, painter, etc.) space, time and solitude for the pursuit of creative
work. In the theater field, playwrights, librettists or lyricists are the
artists most often benefitting from these situations.
Assignment. The transfer of rights
to a song or catalog from one copy-right proprietor to another.
Atmosphere. Another term for
"extras" or "background artists".
Audition. A formally arranged
session (usually by appointment through an agent) for an actor to display his
or her talents when seeking a role in an upcoming production of a play, film or
television project, usually to a casting director, director or producers.
Avail. A courtesy extended by a
performer or agent to a producer indicating availability to work a certain job.
Avails have no legal or contractual status.
Background. Another term for extras
or atmosphere.
Back-to-One. Direction given by the
Assistant Director after a take. It means to go back to the position which you
were in at the beginning of the scene.
Balls. A deep and resonant vocal
tone.
Beat (theater). Pause.
Bed. The soundtrack that goes under
your voice-over. It may be a bed of music or sound effects or a combination of
both.
Best Boy. They are either part of
the grip or electrical department. They are the right hand persons of the Key
Grip or Gaffer.
Big. A term used for actors giving
too much of a performance in the interpretation of their scene. It refers to
expression, voice levels, and body movement.
Billboard. To emphasize or set apart
a copy point is to "billboard" it.
Billing. The size of an actor’s role
such as starring or guest starring. Also, where the actor’s name will be placed
in the credits and if the name will be shown on the screen alone or with
others.
Biography. A concise account of an
artist or group’s industry related experience or background.
Bit Part. A small part, usually
consisting of a few lines.
Blocking. In rehearsals, actors practice
the required movements, in a pattern or along a path, for a given scene that
allows them to avoid any awkward positions, such as one actor walking in front
of another actor or standing with his or her back to the camera.
Blocking Stage. Rehearsing as if you
were on a stage but these early rehearsals are typically held in warehouses,
parking lots or someone’s living space, naturally without actual props or sets.
Blue Screen. Also sometimes called
Green Screen, it is a blank screen which acts as the backdrop to live action.
Any background can be laid into the background and give the impression that the
live action was really happening in the context of the blue screen.
Body-Shot Picture. Subject is seen in an outfit (body suit, work-out
clothes, dance attire, bathing suit) or performing a special skill/stunt
(martial arts, surf boarding, skiing, dancing) that accentuates their body in
some way.
Booker. An agency employee who sets
appointments for talent/models.
Booking. A confirmed session
indicating you have a job.
Booking Agent. One who finds
employment for artists from buyers of talent.
Book Out. A call to all of your
agents to let them know you are working, traveling or are unavailable for
auditions or a job.
Borderless. A photograph that takes
up the full space of the paper with no white edges.
Boom. The Overhead microphone used
to record actors’ voices.
Boom Mike. A microphone on the end
of a pole, held above actor’s heads to record dialogue.
Boot Legging. The unauthorized
recording and selling of a performance of the song.
Breaking Character. Stepping out of
the scene which you are doing.
Breakdown Services. A fee-based service provided to agents that offers a
daily breakdown of roles for each production submitted by participating casting
directors.
Breaking-up. Out-of-place laughter
by an actor on stage.
Broad. An exaggerated performance.
Broadway. A major thoroughfare in
New York City’s midtown Manhattan Times Square area on which many large
theaters are located.
Bullet. Designation of a record
listed on the charts, referring to increased record sales.
Bump Up. An upgrade in pay and
billing when an Extra says a few words or other special activity in a scene.
Bus-and-Truck Tour. A low-budget
tour of a play or musical, usually presented in smaller cities for a very short
run.
Business Owner/Manager. A
fundamental management function of an independent producer is making deals, but
in doing this there are a myriad of rules, regulations and forms to navigate
through.
Buskin. The thick-soled, laced,
leather boot worn by actors in Greek tragedy to give them added height, and,
thereby dignity; also called cothurnus.
Buyout. A one-time payment for
shooting and airing a commercial.
Callback. A second audition where an
actor is either presented to the producer and director or, in the case of
commercials, is filmed on tape again for final consideration.
Call Sheet. The daily sheet for a
production that lists all the scenes to be shot that day as well as actor and
crew arrival times.
Call Time. The time you are supposed
to report to the set.
Calling Service. As pertains to
extras, a company that helps to book them on extra jobs.
Camera Right. When looking into the
camera, your left.
Camera Left. When looking into the
camera, your right.
Cans. Slang term meaning headphones.
Carnival Mass (play). A type of work
originally designed to be performed on Shrove Tuesday, the last day before Lent
begins. The play uses elements of Catholic liturgy, social morality, music from
the Catholic Mass, masks, puppets, and characters such as the wise-fool. Dating
from the 15th century and found in many Christian cultures, the type has been
newly realized in the Julie Taymor - Elliott Goldenthal creation Juan Darien.
Cast. As a noun, generally refers to
the group of actors performing in a particular production. As a verb, refers to
the final status of an actor that has won a role or part in a production over
other competing performers.
Casting. When a casting director
puts out the news that he needs to fill a certain role that requires an approximate
age range and appearance such as a certain ethnicity, height, build or look.
Catalog. All the songs owned by a
music publisher considered as one collection.
Catalog modeling. Modeling for
photographs which will be used in catalogs produced by a manufacturer or
distributor to sell clothing or other items.
Catharsis (Katharsis). The feeling
of release at the end of a tragedy experienced by audience members who have
undergone feelings of fear and pity, shared in the troubles of the play’s
protagonist, and now are set free from the emotional grip of the action.
Aristotle called this cleansing the pleasure of tragedy.
Character model. A model who, while
not necessarily a classic beauty, has strong or interesting facial features and
selling attributes for specific products.
Character Role. A supporting role
with pronounced or eccentric characteristics.
Charts. Lists published in the trade
magazines of the best-selling records. These are separate charts for pop, soul,
country western, etc.; musical arrangements.
Chord. Three or more notes sounded
simultaneously that imply a harmonic function.
Choregus. Title given to a wealthy
citizen in ancient Greece who was selected to pay for the training and costumes
of the chorus in dramas.
Chorus (musical). The Chorus is the
song. A section of the song that repeats itself at certain intervals. At the
turn of the century, and continuing into the sixties, Choruses were compared
and shaped within thirty-two bars of music.
Chorus (theatre). In Greek drama,
the group of performers who sang and danced between the episodes of the play.
The chorus also narrated the offstage action, commented on events, even
moralized on them, as in Sophocles’ Antigone when the chorus
first rejoices in the defeat of the Argive army, then comments that Polynices
was a traitor deserving of his fate. The term "chorus" is now
commonly used to designate a group of performers who sing, dance, or recite
together in a production.
Chronicle Play. A play with a
historical basis, told as a series of episodes rather than as a complete story
with a structured plot. Shakespeare’s Richard II, based on
Raphael Holinshed’s Chronicles is an
example.
Circle Takes. A director’s favorite
or most usable filming of a particular scene. Used to expedite the editing process.
Class A Network Spot. Commercial
airing at prime time on a major network. Residuals are highest for this type of
spot.
Classic Drama. Formally, the drama
of ancient Greece and Rome. Popularly, any play written before the present
century that has stood the test of time. Actors auditioning are often asked to
prepare two monologues, one classical and one modern.
Clearance. The right of a radio
station to play a song.
Clearance Agency. Same function of a
performance rights organization, such as ASCAP, BMI, SESAC.
Click Track. A perforated sound
track that produces click sounds that enables one to hear a predetermined beat
in synchronization with the movie.
Cold Reading. Delivering a speech or
acting a scene at an audition without having read it beforehand.
Collaborator. One of two or more
partners in the writing of songs.
Colored Pages. Pages onto which
script rewrites are copied.
Commercial. Regarding the music
industry, the potential to sell, or that which has mass appeal.
Commercial Head or 3/4 Shot. Used to seek a commercial agent, and on commercial
auditions. The shot usually depicts the subject as perky and upbeat with bright
energetic eyes.
Commission. Percentage of income
paid by actors to their representative. If it is an agent, the amount cannot be
over 10% for a union contract; if it is a manager, the percentage is
unregulated, but is traditionally 15-20%.
Comml. Abbreviation for
"commercial."
Common-Law Copyright. Natural
protection of a song based on common laws of the various states. Was superseded
by a single national system effective January 1, 1978.
Community Theater. A local theater
group in a city or town.
Composer. One who writes the music
to a song.
Composite. A type of head shot
popular in the commercial industry which positions several different images of
the subject together on one 8" x 10" spread giving casting directors
a quick way to determine how the subject will look in different settings.
Composite card. Also known as a
"comp card," it is a grouping of 3-5 photos of a model on one sheet
which includes the model's statistics and sometimes biographical information.
Used for promotional purposes, the photos should include at least one head shot
and show poses which highlight the model's best features.
Composition. A musical work; the art
of writing music.
Compulsory License (Phonorecords).
Statutory mandate given to a copyright owner to permit third parties to make
sound recordings of the copyright owner’s song after it once has been recorded.
Concept Meeting. A gathering of the
producer, director and casting director to reach an agreement about the look
and quality of each character in a script.
Conflicts. Being under contract for
two conflicting products. This is prohibited for union commercials. An
advertiser would never want one person on the air advertising both the
company’s product and a competitor’s.
Console. The audio board or control
panel that allows the engineer to direct the audio signal to the recorders, and
to combine the various audio components into the final mix.
Consultation Meeting. The interview
with a photographer which you have selected as a final choice which gives you a
chance to ask questions regarding clothes, make up, what types of look you want
to capture, etc.
Consumer Publication. Entertainment
oriented periodicals written and published for a general public readership,
i.e., Rolling Stone, Spin.
Continuity. Matching action in each
take of a scene with the same props, dialogue, extras, wardrobe, make up, etc.
Control Booth. A glass-enclosed area
full of equipment where an engineer and director sit during looping and dubbing
sessions.
Coogan Laws. Guidelines created by
SAG and named after child-actor, Jackie Coogan, for the work and pay schedules
of children.
Co-Publishing. The joint publication
of one copy righted work by two publishers.
Copy. A slang term for
"dialogue" or "script."
Copy Points. The items in a script
that require particular attention, and therefore particular interpretation by
the voice actor.
Copyright. As a noun, means the
exclusive rights granted to authors and composers for protection of their
works; a song or musical composition; as a verb, to secure protection for a
song by filling the proper registration forms with the Copyright Office.
Copyright Infringement. Stealing or
using somebody else’s copyrighted song.
Copyright Notice. Notice comprised
of three elements:
- The symbol of copyright, the
word "copyright," or the abbreviation "Copr."
- The year the song has been
registered for copyright or the year of first production of the work.
- The copyright owner’s name.
Copyright Office. Federal government
department, one of whose main purposes is to file and supply information
regarding copyrights.
Copyright Royalty Tribunal. A
committee created by Public Law 94-553 to determine adjustments starting
January 1, 1978, of royalty rates with respect to compulsory licenses for
educational television, cable television, jukeboxes, and sound recordings.
Cover Record. Another artist’s
version of a song already recorded.
Cover Set. Set which is always ready
for shooting on a moment’s notice. If a film crew is scheduled to shoot
outside, and it rains, they move to the cover set.
Co-Writing. Joint authorship of one
work by two or more writers.
Craft Service. The food table on a
set, or refers to the person(s) who handle the food.
Crew. Everyone on the set who is
contributing to the production, in addition to the cast.
Cross Collateralization. Means of
recouping the money spent on one song or recording against the earnings of
another song or recording.
Crossover. A song which receives
airplay in more than one market.
CU. A close-up shot.
Cue (theatrical). A line of
dialogue, actions or sound, onstage or off, that tells an actor it is time to
enter, exit, move across stage, begin speaking, etc.
Cue (musical). Another term for the
talk back system in a recording studio usually conducted through headphones. It
can also mean an audible or visual sign that tells you when to begin reading.
Cue Cards. The large flash cards
that have an actor’s script printed on them and that are read when auditioning
for a role in a TV commercial.
Curriculum vitae. Short account of
one’s career or qualifications.
Curtain Up. The start of a
performance, whether or not an actual curtain exists in front of the stage.
Cut. (Film) The director’s cue to
stop filming.
Cut. (Musical) To record; a recorded
selection.
Cuts. Lines, speeches, songs, or any
other element in a printed script left out of a particular production.
Dark Night. An evening on which a
theater is not scheduled to have a public performance.
DAT. Digital Audio Tape.
Date. A recording session or live
engagement.
Day-out-of-Days. Schedule made by
the Assistant Director (AD) assigning time slots for when certain people or
things will work on set.
Day-Player. Someone who is hired at
SAG scale (minimum) for the day.
Day Shot. A specific scene in the
script to be filmed or taped while the sun is out.
Delivery/Distribution Manager (film). Once you have a distribution deal in place, "Delivery", a
technical term, is next. It consists of supplying the physical elements such as
the interpositive, internegative, soundtracks, video masters, stills and slides
and the legal elements such as copyright registration, rights documents
insurance, copyright and title searches and talent agreements.
Demo. Short for
"demonstration," a demo can be a sample tape of a talent’s voice used
to show his or her abilities.
Demo Firm. An organization
specializing in the production of demo tapes.
Demo Tape. An audiocassette, audio
CD or DVD recording of an actor’s voice demonstrating voice acting abilities.
Deus Ex Machina. Means "the god
from the machine." In Greek classical drama, an actual machine (a crane
perhaps) lowered the actor playing the god into the center of the action so
that he or she could unravel the plot complications and direct the denouement.
Now the term more often denotes a play that uses a trick ending to extricate
the actors from impossible situations.
Deuteragonist. The second character
added to Greek classical drama. Previous to that, there were only chorus and
protagonist.
Dialogue-less Commercials. Used to
emphasize a visual image with the spoken words of an announcer as the only
recorded sound.
Diaphragm. The lower part of the
lungs, filling the abdominal space, that supports the voice when actors and
singers breathe correctly on stage.
Diction. Clear, sharp pronunciation
of words, especially of consonants.
Dionysian. The opposite principle to
Apollonian, or, the creative, the imaginative, the spontaneous in art. Named
for Dionysus, the Greek god of wine and fertility, whose festival, celebrated
with drunkenness and licentiousness, is considered by many to be the birth of
drama.
Director. Charged with staging a
play or musical, who coordinates all onstage aspects of the production,
including the performances of the actor. In television and film production,
this person influences the actions of actors and action sequences during
filming, and supervises editing afterward.
Director’s Cut. Film that is
slightly or drastically different from the final cut that the studio ultimately
releases.
Distributor (music). Company that
exclusively handles the sales of a record company’s product to jobbers and
retail outlets for a certain territory.
Distributor/Distribution Arranger (film). Independent producers are not usually involved in the distribution of
films. Distribution is still the domain of the Hollywood-based major studios
that generate more than 90% of U.S. box office, but there are also smaller
distributors and independent sales agents who handle independent productions.
There are also non-profit organizations that can lend a hand in various ways.
Donut. A type of spot that has
prerecorded material at the beginning and at the end with a "hole" in
the middle for the voice part. The parts can be reversed as well, with the
voice being the donut and the pre-recorded material in the hole.
D.O.R. Dance-Oriented Rock; a
categorization of popular music utilized by radio stations.
Double-take. An exaggerated facial
response to another actor’s words or actions, usually used for comic effect.
Downstage. The area of the stage
closest to the audience.
D.P. Director of photography, in
charge of designing and lighting the shot.
Dramatis Personnae. From the Latin,
meaning the characters in a play; also, the list of them.
Dramaturg. One who studies a play to
interpret it for a company of actors, answering questions about the text, the
language, the period, the manners and mores of the characters, the clothing,
and the customs. He or she may share in selecting plays, their revisions, or
adaptations; choosing translations; writing program notes; and advising
technicians.
Dramaturgy.
The study and interpretation of plays with special attention to the
difficulties plays from another period present for the acting company of today.
Sometimes a component of playwriting MFA programs, the University of Michigan,
among others, offers a doctoral program in dramaturgy.
Drive To. Monies paid to an actor by
a production company for driving to location other than a studio lot.
Drop/Pick-up. Term used when an
actor is dropped from, then picked-up by payroll; this can only be done when
there are ten working days between the drop and pick-up work dates and can only
be done one time per actor per project.
Dub. An audio or video copy. Also
called a "dupe" (short for duplicate).
Earprompter. A small tape recorder
system which the entire script is recorded and is transmitted to an earpiece
through a loop around the neck. It is activated by a foot or hand control.
Known in the industry as "the ear."
ECU. Extreme close-up.
Editorial print. Editorial print
work involves photographs used to compliment the story line of an article in a
magazine.
Educational Theatre. Theatre
conducted in or as an adjunct to schools. Also, theatre with a didactic
purpose.
8 x 10 Glossy Pictures. The primary calling card to the people who will be
calling you in for interviews and auditions, and casting you in their
productions.
Employee For Hire. Contractual basis
whereby a motion picture producer or company employs a composer or lyricist to
create music or songs for a movie with copyright ownership to be retained by
the producer or company.
Engineer. Individual who operates
studio equipment during the recording of a song.
Exclusive Songwriting Contract. A
contract which prohibits the songwriter from writing for more than one
publisher.
EXT. Seen at the beginning of a new
scene description in a script, refers to Exterior.
Exterior Shot. A scene filmed or
taped out of doors.
Fabula Palliata. A play translated
into Latin from Greek New Comedy.
Fabula Praetexta. An original play
in Latin based on Roman legend or a historical event.
Fabula Togata. A Roman comedy,
popular from about 150 to 50 B.C., having nationalistic themes and a realistic
presentation.
False Start. Term used to describe a
take in which the talent makes an error within the first couple of lines. The
take is usually stopped, and a new take is slated.
Fashion modeling. The modeling of
clothes where the clothing is the central focus of the photos, not the model.
Fashion models must meet size nd height requirements to properly display
clothing in runway shows and fashion layouts.
Favored Nations. An agreement which
means that all terms are equal among all actors.
Featured Role. A co-starring role
where you may have played a large role but weren’t necessarily the main
character.
FIDOF. The International Federation
of Festival Organizations.
Figure modeling. This is a form of
nude modeling normally used for art rather than glamour.
Finding Your Light. An actor’s
ability to sense when he or she is properly placed in respect to stage
lighting.
Fire in the Hole. An explosion or
gunshot is ready to occur.
First Refusal. A request to hold an
actor for a given day. It is not binding for either the producer or you. It is
more of a sign of interest than an availability request, and it is not as good
as a booking.
First Team. The actual cast members
who are being used in a given scene.
Fit models. Clothing manufacturers
use fit models to test the sizing of sample garments. Fit models must match the
company's predetermined sample size exactly.
Flap. In animation, movement of the
mouth. If the talking stops and the character’s mouth keeps moving, an actor
will be called in to add either internally, at the beginning, or at the end of
the line so that the mouth flaps match the rhythm of the speech.
Flashing. What is said when taking a
flash picture.
Folio. A collection of songs offered
for sale to the public.
Forced Call. Making an actor or crew
member come to work without the required turn-around time.
Generation. The process whereby each
time you copy a piece of film or tape it losses some clarity.
Glamour modeling. A broad term for
modeling where the model's appearance, rather than the attire or product, is
the central focus.
Gold Album. Certification by the
Recording Industry of America that a album has sold half a million units.
Gold Single. Certification by the
Recording Industry of America that a single has sold half a million units.
Golden Time. Refers to overtime paid
after working sixteen hours straight, equal to one’s daily rate every hour.
Go-see. The action of a model
visiting a client to investigate what a particular assignment entails.
Green Lit. The process that follows
after a script has been developed and moves into production. Production
involves building sets, designing costumes, measuring and fitting actors for
costumes, and rehearsals.
Green Lighted. When a studio commits
to starting a project.
Grip. Someone who handles, carries,
moves, and stores lighting, electrical, and other equipment on the set.
Groove. Rhythm or tempo that helps
create the "feel" of the song.
Guards. These are the positions
taken by the fighters at the beginning of the fight, from which they
subsequently either attack or defend. Guards will be described according to
which of the fighter’s arms and feet are forward and which behind, together
with the position, angulation and direction of their weapon.
Ham. An actor who gives a very broad
or exaggerated performance.
Harmony. The combination of musical notes
to form chords that serve to enhance the melody line; the art of combining
notes into chords.
"Head" Arrangements. An
arrangement devised spontaneously. No chords are prepared for instrumentalists
and vocalists. Instead, they read off lead sheets and an arrangement is made
from various experimental styling devised at the studio.
Headsheet or Headbook. The sheet,
poster or book of models' headshots an agent sends to a prospective client
interested in using one of their models.
Head Shot.
An 8" x 10" photograph that acts as your calling card for securing
television, film and theatrical work, showing your face as it actually appears.
The head shot should capture your best and most unique physical features, while
still remaining true to your actual image.
Heads Out. Manner in which a
reel-to-reel tape is stored, with the loose end at the beginning of the tape,
enabling the tape to be played immediately.
Heavy Metal. Musical category
characterized by high-volume, maximum guitar presence.
Hiatus. Time of year when the cast
and crew of a television series is on vacation.
High Note. The highest note sung in
a particular song which varies according to the musical key of the song.
High-Speed Dub. A tape copy that is
made at several times normal speed. Often used in reference to tape
duplication. High speed dubs are often less costly and have a quicker
turn-around time than real time or at speed dubs. They can be susceptible to
problems, so always check your dubs before releasing them to prospective
clients.
History Play. A play dealing with a
historical subject, such as Shakespeare’s Henry IV and Richard
II, and Don Taylor’s The Roses of
Eyem, the true story of the village of Eyem
in Derbyshire, England. The village fell victim to the plague of 1665 and
elected to seal itself off from the world to stop the spread of the disease.
The play begins with the cast of over fifty villagers and ends with the handful
who survived.
Hitting Your Marks. The ability to
physically stop on a preset mark or put down the product in an exact spot.
Hold. When an actor is being paid,
but is not working.
Hold Over. When a director decides
to use an actor for an extra day not originally scheduled.
Holding Area. A place where extras
are kept on a set or location.
Honey Wagon. A bank of dressing and
mini-bathroom rooms attached together and pulled by a tractor trailer to a
shooting location.
Hook. A phrase or melody line that
repeats itself in a song; the catchy part to a song.
Hot Mike. A microphone that is
turned on.
House Tape. A voice demo tape that
includes short samples of all talent that includes short samples of all talent
represented by a certain agent.
Hypokrites. The Greek word meaning
"actor."
Image. The casting type or quality
you wish to convey and portray to the theatrical community.
Impresario. An entertainment
entrepreneur.
Ink. To sign a contract.
Insert. A form of pick-up where a
short segment of the script is reread from one point to another.
INT. Seen at the beginning of a new
scene description in a script, refers to Interior.
Interior Shot. A scenic shot inside
a sound stage or inside a set on location.
Internship/Apprenticeship. Situations in which aspiring artists receive training and
perform designated tasks in creative, administrative and technical areas. They
are offered by most nonprofit theaters and by mostly all summer stock theaters.
In The Can. A phrase borrowed from
the film business and used in voice-overs. When a good take is achieved, it is
considered ready for processing or "in the can." It generally means
that the director has the take he wants.
In-The-Round. A theater in which the
audience is seated on all four sides of a central stage.
J-Card. The artwork on an audio
cassette box named for the shape it makes when folded to fit in the box.
Jingle. A short phrase of music
usually accompanied by lyrics used to convey a commercial message.
Junior model. Models with a young
look or who wear junior sizes; the typical measurements for a junior model is
usually junior size 7 and about 105 pounds.
This list was obtained from The Actor’s Checklist with reproduction permission granted from Cool Fire Technology LLC.
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